Showing posts sorted by date for query Adam Carlton Short Story. Sort by relevance Show all posts
Showing posts sorted by date for query Adam Carlton Short Story. Sort by relevance Show all posts

Wednesday, April 29, 2026

My short story, Rebecca - Adam Carlton


I first wrote about Rebecca here on the author site, Booksie, back in January 2019. One of my earlier efforts. The theme was somewhat based on a story Nigel had mentioned once about his time with the IMG in London, when he was a regional organiser and in charge of the 'Red Defence Force'. This would have been in the early 1970s.

Needless to say, my story is very different from his experiences and more intriguing. I slightly revised it when it was published on this blog, here - which is the version you should read.


Monday, April 20, 2026

A Country Walk by Adam Carlton - an introduction


Some walks are only walks. Others? My short story 'A Country Walk' begins on the Yorkshire coast with an easterly wind, a married couple of a certain age, and a quest almost certainly forlorn.

The path is open, the weather unhelpful and the world is in the way.

Read 'A Country Walk'.


Thursday, April 16, 2026

Hillary - a short story by Adam Carlton


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I remembered, of course, how dreary London could be in December. Walking the streets in the late afternoon brought an oddly jarring immediacy: headlights reflecting off the wet road dazzled me; the sudden horn of a taxi startled me; pedestrians crowded me, hunched like rats as they scuttled between department stores. 

Eventually I discovered the doorway. Inside it looked very like a department store. High white walls vanished into ceilings I couldn't quite make out. One vacant step followed another, but soon I found the committee room.

Inside, the candidate was already seated at the head of a table surrounded by junior versions of herself. More senior officials were seated at the back of the room; one of them silently pointed me to the foot of the table. 

The candidate's name was Hillary, a strongly-featured patrician woman in her early fifties exuding an effortless poise. I pictured her résumé: educated at St. Paul's then Oxford, then the serried ranks of quangos and civic institutions, an arc she had segued to baroness.

The interview seemed to be going well. She was talking confidently about the committees on which she had served, the trusts to which she had contributed, her extensive charity work. Hillary was being considered to chair a new state board to promote advanced software in the UK - no doubt with a budget of hundreds of millions of pounds.

I listened for a while to the many good things that she had done and the many influential connections she had with those, like herself, closely adjacent to the cabinet. 

The scene shifted now; the chairs were arranged in an arc of a circle. Hillary again occupied the central place with her younger acolytes clustered around. I sat opposite, about ten feet away. For the first time I raised my voice: “You're being considered for the leadership of software development in the UK. Perhaps you could say something about artificial intelligence?”

A flicker of annoyance crossed her face: “I haven't worked in that area at all.”

No-one else seemed bothered.

I said, “I'm not talking about technical details such as infrastructure for the training of foundation models. I just mean a general discussion about where AI is going and the priorities that this country should have.” 

An aristocratic frown; the chairman to my right looked warningly at me.

I said, “I'm not trying to be aggressive. It just seems that if we're considering a candidate to promote the development of software in this country - which really means predominantly AI today - they ought to know something about it, and to have some views which we could discuss here?” 

He shook his head as if to say: Leave it: you just don't get it

Time shifted. I left the room, baffled how to navigate this strange, elaborate environment. Eventually I chanced upon a narrow, single-person escalator which took me down to street level and I escaped into the now-darkened evening. As I turned right towards the tube station, a sudden squall of rain slapped me in the face.

Tuesday, March 17, 2026

'Mallorca 2045' - a short story by Adam Carlton

Mallorca 2045

She’s twenty-six.

The year before she was born her grandmother was photographed on this very walkway, the one with the charming cafe-restaurant as its backcloth. It’s Camp de Mar, Mallorca in the sunshine.

Now she emulates that very scene: a moment for reflection - how she’s come to be here.

Unlike most of her peers she elected to go to university. Her subject, the economics of consciousness, is like all advanced study now: the AIs do the frontier thinking; a few academics figure out what it might mean for people.

Her family had lived through the Great Transition, the so-called Singularity that had turned out to be nothing of the kind: not a moment but a long crisis. Economies convulsed, elites fractured, power changed hands, whole professions fought back and in defeat, dissolved. Total factor productivity had gone vertical; survival became psychological.

Now abundance is where it’s at. Freed from necessity, the world has reverted to primal drives. Denied-biology has come to the fore but to new and exquisite heights and depths. Love and hate, create and destroy: manifest in forms which would have shocked antiquity.

If some look in the gutters, others look to the stars. Her earliest memories are of those billionaire entrepreneurs who wanted to settle Mars the hard way - with chemical rockets and the most primitive infrastructure. Something that would not have looked out of place in Victorian times. Antarctic expeditions had been their model.

In retrospect, how short-sighted that appears. Fifteen years passed and it became easy to colonise Mars;  the machine systems simply did everything, armed as they were with abundant power and smarts.

It was they which built enormous domes, hyperpower reactors and vast heat sources. Quixotically, they decided to recreate the southern coastline of Majorca at Mars One. So here she is, striding down the replica of the gangway that her grandmother walked down all those decades ago.

She wonders how her grandmother would have felt, bouncing on the slats in mild gravity over a created sea; this buffer of Med-like ocean so useful in the Martian ecology.

She consults her memory and it reminds her that she's going to a modelling show this afternoon. She will exhibit clothes to no purpose at all except the enjoyment of so doing and the enjoyment of the audience in seeing what Martian design has to offer. 

And after that, perhaps she'll roll by the Interstellar office and donate some of her DNA for the starship. The one departing for a second Earth, at some star 40 light years away.

Truly, there's never been a better time to be alive.

Monday, February 23, 2026

Does Not Compute - a short story by Adam Carlton

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"I drove up from San Francisco to see her. It's late morning, we're at Glacier Point, elevation 7,200 feet, in September 2002. The air is still and cool.

We're in Yosemite with its excellent view of Half Dome.

She loves nature. She loves the open air and she's never visited Yosemite before, she tells me. She's so excited. They're English, transferred here temporarily to work for the American office. She’s sent her husband away - to get coffee or some such pretext; we have maybe 15 minutes.

The previous day he was in San Francisco himself, talking to all the startups seeking cash: part of his job. There's one company that he's particularly keen on - they have some new ideas which interest him from his past research in artificial intelligence. Something to do with transforming the way the web could be used - 'bypassing all those symbol-processing paradigms,' he says, 'which don't scale.'

A mystery.

As instructed, she's covertly copied the papers from his computer onto a USB stick and now I take it. She wants this photograph too so I get to play-act the helpful tourist; she really has no idea about security!

But I know that she won't be talking about this.

I have no idea whether these papers are of any use; I’m not an analyst. I was told that the computational requirements are simply beyond us today so maybe we'll just cut those guys loose.

Or maybe we'll keep them on a slow drip of deniable funding - and just see what turns up.”

Friday, January 30, 2026

La Maîtresse des Échecs - by Adam Carlton (part 6 of 6)


Epilogue

Every organised activity has its super-fans. See that big guy over there in the bar, watching the sport channel with his mates, the one with the beard and the dad-bod? He’ll tell you more than you want to know about the offside rule. See that aging gentleman in the blazer? The one with the rough bristly moustache which fails to hide impacted teeth? He has his fund of tedious anecdotes about the perils of fielding at short leg. And that slim young man in his lycra who just cruised effortlessly by? He knows a thing or two about the tactics of the breakaway from the Peloton. These fans know their heroes and heroines, obsess over them, are polarised by their champions’ feuds and animosities.

They are not typical.

They are too few and don’t suffice to pay the global circus bills. What the world wants is volume: revenue streams in torrent, crossover market share.

What the world needs is stars.

When the American, Lance Armstrong, went to Europe in the nineteen nineties he found that road racing there was awash with drugs. An unaided rider could not win against the best cyclists on dope. Armstrong came to a cold decision: if that was what it took then he would apply his formidable intelligence, his logistical skill and iron determination to be the very best doper.

For more than a decade Armstrong dominated the sport, winning the Tour de France seven times in succession. The public loved to watch him, commentators were in awe. His fame brought riches to the cycling authorities: wealth and power and prominence. There were those who thought it was all too good to be true, dogged reporters who were literalists on morality. But who really, had an interest in killing the golden goose? For years he was protected by the authorities: the good and the great.

Armstrong was eventually brought down. Perhaps the culture of total-doping was just too egregious to survive. But does ‘good’ always win-out in the end? How would we know?

When Daniel had his nervous breakdown, resigning the match in a fugue state, Petra was catapulted to superstar status. She was the superstar of chess: sassy, good-looking, an ultra-competent woman in a world of men where she had bested the best.

So it was reported.

Most pundits, most executives, think she is the best thing which ever happened to the game. The purists may pore over her matches which seem to them, as to Daniel, too good to be true. Yet her play is not perfect: many of her moves are sub-optimal according to the omniscient engines. She does just enough; her wins are effortful but relentless. Her growing fan base empathises with her occasional setbacks and her more frequent successes. Drama beats perfection: Petra becomes the leading character in her own reality show.

Petra talks to her father. They’re in a New York hotel. Tomorrow Petra will play in a major US tournament but tonight she is pensive.

“I don’t worry too much about being caught. You’re so clever and no-one important wants to rock our boat, but do you think it’s right? As far as I can tell, none of my opponents are getting help during games.”

“They’re dinosaurs,” Hans says, “They don’t understand the world we’re moving into. No-one cares about chess anymore. There’s nothing new for people to explore - the machines have stolen all of that. All that’s left is spectacle: drama and confrontation. That’s what the machines will never provide.”

“Chess as show business?” Petra says.

“The difference is we know it, Petra, and your opponents don’t. Maybe chess used to be like boxing but the engines changed all that. Now it’s wrestling: choreographed emotion, a canvas for catharsis. And you, Petra, you are the focus for millions of people and long may we keep it that way.”

Petra is doubtful.

“Don’t you think that the excitement depends on my opponents not realising that it’s not just me that’s killing them? Isn’t it their naïveté what keeps them so highly-strung, so serious and so determined? Doesn’t my audience crave authenticity above everything?”

And finally, “Do you think what we have here is really stable?”

To these highly apposite questions Hans has no answer.


Though Daniel’s star has fallen so deeply into the pit, he is not vindictive. Daniel does not do vindictive - he just does truth. He knows he was not wrong. He simply underestimated her cunning. He doesn’t know how she does it but to an expert the tracks are clear enough. He follows her games obsessively, compiles his mounting dossier, waits for the day the reporters come to visit, the day when he will finally be vindicated.

Yet what if he succeeds, if he manages to bring Petra down? He is too honest not to let this worrisome thought run on. Chess would return to its former drab state: obsessives contending in an eternal second division while the machines go forth to chart an astral - but ultimately sterile - space.

While an uncaring world passes on, regarding not.

His entire life would revert to meaninglessness.

Could it be, he wonders, that victory is not everything?


The full story text (part two of my novel) is also available here:


Thursday, January 29, 2026

La Maîtresse des Échecs - by Adam Carlton (part 5 of 6)


8: The Third Day: Le Directeur du Match

Late morning, Daniel and Petra each received a call from M. Étaix to come down to his office for 1.15 pm. The stated reason was to review arrangements for the final and deciding game. This was no surprise of course: media interest was now intense. Petra’s surprise win plus her glamour had captivated TV channels and major print outlets alike. There had been a steady stream of taxis and limousines arriving from the airport to the Cité de Carcassonne all morning.

The Director’s office was a small conference room off the hotel’s concourse. Daniel had been summoned fifteen minutes earlier at one o’clock to explain further his startling allegations and M. Étaix reluctantly agreed that a prima facie case had indeed been established. Daniel was feeling pleased with himself - rather vindicated - as they waited for Petra to turn up.

At the appointed time, as the quarter hour tolled on the bells of the Basilica, Petra, accompanied by her parents, knocked and entered. Her appearance was even more stunning than the previous day. She was draped in a red dress colour-coordinated with her auburn hair. One strap fell artfully off her shoulder. The weave varied in mesh across the contours of her body, both concealing and revealing. Tight and very, very short, it forced the question as to whether it might be the only garment she was wearing. And on her ears were pearl decorations, as red as the rest of her outfit.

The Director now fell to his difficult and worrisome task. It was not just that he felt personally nervous, it was also the thought that a whiff of scandal would certainly destroy this championship and ruin months of effort and the reputations of those involved: perhaps even that of France herself.

As he haltingly outlined the suggestion, the charge which had just been made, he was even half-prepared for violence from the accused’s family. He cast a cautionary look at two of his stewards and put out his hand, “If the mademoiselle could just hand over her earrings? We have machines here which can test…”

And indeed they had: electronic sniffers, portable X-ray machines and more.

Petra, her face a furious glacial white, removed the requested pieces and handed them across. Hans and Anne-Marie glared at the assembled officials as if they had never been so insulted. Her father’s bare hands were balled into fists, his aggression only restrained by iron discipline.

And Daniel? His cheeks were burning. He wished himself anywhere else in the world but here. What if he was wrong? But how could he be?

Everyone stood still as the technicians did their work. One came forward with an airport-type scanner and waved the wand all around the two contenders and Petra’s parents. But there were no lights, no beeps, no audible warnings of any kind. Finally the person who had been working the complex equipment looked up and addressed the Director.

“M. Directeur, they are all clean. As far as I can tell they are exactly how they look, a pair of rather expensive earrings.”

The Director looked at Daniel appraisingly. Daniel felt the Director's changing mood, his new assessment: Daniel Brown, the loser who accuses his victorious opponent of cheating. His world imploding, Daniel turned and bolted from the room.

Petra glared as the Director stammered his apologies, “We always have to act when accusations such as these are made…“

In a frigid voice she replied: “You keep them!”

She and her parents exited the Director’s bureau with considerably more dignity than Daniel.

9: Intermission 2

The scene earlier that morning, at 9.30 am when Daniel is playing with his chess engines trying to emulate Petra’s quirky, devastating plays. 

Petra is sitting in her parents’ suite on the top floor of the hotel. The red earrings - so useful yesterday - have been comprehensively destroyed: rendered to powder, the remains flushed down the toilet. A substitute pair - red and beautiful, perfectly genuine, perfectly innocuous - await any unlikely inspection.

Anne-Marie starts the meeting with an assessment of Daniel Brown’s state of mind and likely course of action.

“He’s a classic introvert, on the spectrum. Yesterday’s events will have knocked him stupid but by now he’ll have recovered. He’ll figure out what was done to him - there were clues enough - and then he’ll complain to the authorities. We should expect a call shortly.”

Petra now listens with close attention as her father takes up the narrative.

“Here is how we do it today,” He holds up the tampon. “The communicator is embedded - no more audible cues. And no-one is going to ask to take a look.”

He smiles.

“You apply it just before the game, just before you go down. And excuse yourself afterwards and dispose of it.”

Her mother adds practically, “We’ve practiced in the past so you need no reminders. Wear plenty of perfume. That will also keep him off balance.”

Hans sums it up: “Today we go in hard.”

10: The Third Day: the Game

The Basilica has been transformed. Cables now flex across stone paving, snaking their way to TV cameras and lights. A press of observers crowds the wall at the back. Feeding an already febrile atmosphere there are new rumours of cheating: rebutted claims which make Petra a Wronged Woman. In the audience’s eyes, an audience now global, Daniel Brown’s name is already mud.

And Daniel is more sensitive than people imagine. He feels the hostility; dare he say it, the contempt of the crowd. His morale, already at rock bottom, takes a further tumble. His being is dominated by his guts which knot and writhe. He feels he cannot stay but of course he cannot flee.

He sits in the spotlights (he is as early as ever). Sits at his place by the table on the dais, and waits, unable to concentrate, battling abhorrent emotions.

Three minutes to two and Petra walks into that cavernous crowded space. She wears her vêtements du jour, that red fishnet dress already shown to the Director. She wears no earrings. At first only those near the side door spot her. They stand up to get a better view, bringing their cameras to bear. As she turns into the main aisle, advancing to the front of the assembly, awed silence accompanies her.

She daintily sits as before on the seat to the left and gives Daniel a warm, magnanimous smile. TV cameras, in extreme close-up, linger over it. Daniel’s face is turned resolutely to the board, however. The Director says a few words - Daniel will be playing black again - and the game gets underway.

A wronged Petra, an exonerated Petra, will this time show no mercy. Right from the off she plays an out-of-book opening, something only machine-chess has made possible. Tiny, exciting twinges in her abdomen instruct her: she is Leela’s slave now - and Leela is an alien.

Daniel is immediately off-balance. Normally when a player goes off-piste, ignoring the learning of centuries, they rapidly fall into error. There is a reason humans don’t do that, why those forays into novelty never made it into the book. But Leela has a different book: so much bigger and better.

In Daniel’s visual comprehension the board before him is a city experiencing an earthquake. Positions he thought secure crumble like sand; volcanoes arise on plains he thought backwaters spewing lethal ash and lava on his forces.

He is a chess grandmaster, still an excellent player. Occasionally he grits his teeth, feels his way to a killer counterblow, prepares to strike back. The audience draws in its breath; commentators murmur excitedly, the audience waits on Daniel’s move.

And Petra leans forward. Her flushed breasts, so eager to escape, settle on the table. Cameras and Daniel’s unwilling eyes cannot avoid them. Her perfume wafts across the board, assaulting his over-delicate senses.

His crystal city of abstraction collapses into fog. Pieces poised to pivot and crash through Petra’s defences are now just… pieces. He had screened out the clicking clock; the lights had long ago become invisible. But assailed by super-stimuli - and a terminal sense of his own worthlessness - his talent has fled. He looks at the board and sees it as a novice.

He stands up. Noises in the room deaden, subside to nothing: an anechoic chamber. Mechanically, he pushes his chair back and slowly walks off the dais, moves between the rows of stupefied onlookers, departs the Basilica into the afternoon sun of medieval Carcassonne, escapes into centuries of deep time and a square which knows nothing of chess.


The full story text (part two of my novel) is also available here:


Monday, January 26, 2026

La Maîtresse des Échecs - by Adam Carlton (part 2 of 6)


4: The Second Day: Daniel

It was a perfect summer morning. At eight am tourists were already in the square outside of the hotel, sipping coffees, nibbling at croissants at the tables laid out on the polished stone paving. They glanced at the cathedral and the fairy-tale towers so distinctive of the ancient Cité, and watched a few of their fellows embarking on the mandatory walk along the walls.

The beauty of Carcassonne, famed throughout the world.

Daniel Brown was oblivious to secular beauty, ambient weather and any affaires du jour. In his room he attacked his breakfast tray of cereals, toast and tea, planning his morning. He did not ‘hang-out’ on Facebook, Twitter or Instagram - he left those sorts of things to his PR team to get on with. In fact this morning would be like all his mornings: he would roam his favourite chess websites and blogs, explore some intriguing positions and perhaps continue his study of chess variants. He was looking forward to it.

But Daniel could not remain forever within his own head. As the current holder of the French championship he had to show himself, at least a little. The second game was at 2 pm and so he would lunch in the hotel restaurant at 12.30.


The restaurant was a repurposed former ballroom in a hotel which had been a former château. The maître d' stood at the server end amidst the plate-counters and racks of patisseries. The long, high-ceilinged room stretched out before him, light and airy, arched with filaments of cast iron. To his left a corridor ran parallel to the restaurant, a walkway visible through ranks of glassed arches. The corridor provided visibility to the main square through its own long window. As it was lunchtime he could see a busy crowd of tourists outside: visitors to the many cafés.

To his right, the maître d' observed similar arches and windows which gave a view to the hotel’s botanical garden with its ferns and massive brown-ceramic pots. It was all thoroughly in keeping with the hotel’s nineteenth century theme.

Straight ahead were circular, cast-iron tables, widely-spaced permitting guests their privacy. Many of these tables were beginning to be occupied by journalists, camera crews and the logistics teams for the event.

Sweeping his gaze slightly to the right again, a faint frown touched his lips. You can carry privacy too far, he thought. The two screens which had been placed against the right-hand wall half way down disrupted the room’s symmetry. The maître d' felt a stab of aesthetic pain.

A solitary dining table was positioned midway between the two screens. Sat at this table, his back to the botanical window, was Daniel Brown. The screens, large wooden rectangular contraptions covered in felt, functioned as did horse blinds. All Daniel could see was a narrow wedge extending across the width of the restaurant, across the corridor and to a sliver of the square outside.

Eating his burger and chips - a special order - Daniel was, as usual, oblivious of his surroundings. In particular he failed to register that Hans and Anne-Marie Schelling were sitting at a table for three within his eye-line.

They, however, favoured Daniel with intense scrutiny.


At twenty to one a hush descended on that part of the restaurant near the entrance marking the entrance of Petra Schelling. English does not really have a good word to describe Petra: ‘zaftig’ comes from a German-Jewish tradition; the French could say ‘bien galbé’ but naturally have many other terms; we Anglo-Saxons are stuck with words such as ‘voluptuous’ or ‘curvaceous’: mere tabloid fare.

This lunchtime the voluptuous, curvaceous Petra Schelling wore a little black dress that had been crafted by a minimalist genius. She ignored the cameras, the rapt faces of the press and slowly sashayed between tables, passing that of her parents without acknowledgement and entering the cubicle containing Daniel at his table. He had not yet noticed her, being a daydreamer and also engrossed in his bun.

She stood in front of his table, her back to that section of the audience which could actually still see her (a number that was growing by the second). Her posture was erect and respectful, her legs slightly apart, her hands at her sides and her attention fully on him. After a few seconds, Daniel’s eyes focused and he stared up at her. Petra’s unexpected appearance startled him, and this aroused both annoyance and withdrawal. His first reaction was to shrink back into his seat.

A tiny part of him, his conscious part, processed what he was seeing. A full-figured girl with thick red curls tumbling onto her shoulders, shoulders which were bare and glistening. He could just make out earrings, large black pearls pressed against her lobes.

He studied her black dress, which swooped down to barely contain her ample breasts. His eyes descended further, noting the way the dress tightly followed the curve of her body. It reminded Daniel of the shape of a cooling tower, a hyperboloid of revolution. A fabric remnant flared over her hips and quickly ran its course as if exhausted; the whiteness of her thighs pressed against his table just a few short feet away. He looked up at her face: finally he recognised her, his opponent Petra Schelling. He sought for self-control, brought his breathing under control, reined in a desperate need to call for help... and steeled himself for whatever came next.

“Daniel,” she said gently, with a friendly little smile, “we haven’t really got acquainted.”

(She knew him better than he might have thought - those extensive analyses with her mother).

“But I think we do have some responsibilities to the organisers and to the public,” she continued, “don’t you?”

This was a clever ploy. Daniel was under the impression the game started at 2 pm but unbeknownst to him, Petra had already begun it. Her question hit Daniel at a weak spot. He hated tournaments: the travel, the platitudes and hype, the having to meet people. In an ideal world he would have been left alone to further explore the infinity of chess. But public contests paid the bills. So having no good answer, he simply sat there, saying nothing.

Petra now took a spare chair, slid it round to Daniel’s left and decorously sank upon it. She, like Daniel, was now facing a spellbound set of diners (people had left their tables and moved into the centre of the restaurant, others were coming in from the corridor to see what all the fuss was about, phones were switched to video mode, little cries of ‘shush’ facilitated audio recording).

Petra’s eyes were only for him. She leaned sideways so that her arm pressed against his - he could not escape without making a scene - and stretched her right hand across to lightly grasp his tie.

“Honestly Daniel, you do look rather… uncared for. It’s not good for your reputation; for either of us really.”

These sensible words were uttered in a low, husky, pleasantly-accented voice that would in years to come seduce a million male fans, though it only made Daniel more panic-stricken. Petra watched his head turning this way and that, saw incipient catatonia in his eyes and did not require the subdued cue which buzzed in her pearl earring.

She glanced briefly up to where her father sat and saw him give the briefest nod. She whispered, “Let me come up to your room at half-past one, before we’re on. I could look at your shirts, your ties and help you dress to impress. Wouldn’t you like that?”

She pressed her hand, still holding the tie between finger and thumb, into his chest and rubbed it there ever so slightly. Trapped and almost paralysed, Daniel could only stutter: “No…, no thank you.”

“”Such a shame,” she breathed and released him. With practiced decorum she stood and sauntered casually out of Daniel’s enclosure, stopping briefly at the entrance for the pack of photographers, before making her way to her parents’ table for a well-earned lunch.

Mission accomplished. Daniel was most thoroughly intimidated and rattled.


The full story text (part two of my novel) is also available here:


Tuesday, January 06, 2026

Anomaly - a short story by Adam Carlton (intro)

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On the edge of human reach lies a world the Empire touched only once - before its ancient collapse into silence and ruin. Now, millenia later, a new survey crew arrives in orbit: young, untested, armed with faith in their miraculous drive and their own good intentions.

The planet is beautiful, almost inviting. Yet beneath the surface linger unanswered questions, fragments of Empire code, and a silence too complete to trust.

Anomaly is a tale of discovery and dread, where history’s shadows stir, and something - once found and lost - is waiting still.

Read 'Anomaly'.


Saturday, December 27, 2025

'In Congénies' - a short story by Adam Carlton (intro)

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Un mémoire fracturé, déformé par des décennies d’échos, a fini par s’échouer chez moi. Tous les détails sont faux – sauf ceux qui ne le sont pas. On m’assure que c’étaient de belles années, malgré les drames et les regards accusateurs. Et oui, tous ces rêves, toutes ces espérances, se sont révélés fondés...

Le voici.


"A fractured memory, distorted by decades of echoes, has ended up washing ashore with me. All the details are false—except for those that are not. I am assured they were beautiful years, despite the dramas and the accusatory looks. And yes, all those dreams, all those hopes, turned out to be well-founded..."


Friday, November 07, 2025

'Summer Job' - a short story by Adam Carlton


Summer Job

This is where the mystery begins. Imagine the smooth kitchen surface of a granite slab. Just in front of you there is a deep circular pit. It could be used for storing a stack of small dinner plates.

This imagined reality has been magnified one hundred million times. My circular depression is a quantum dot, two nanometres in diameter. And in the centre, I am going to trap an electron.


There he is again. Second day on the job and he still hasn’t a clue. ‘Spread some of that hardcore’ he was told. Gave us a blank look like he’d never heard of hardcore before. Next thing I knew, he was on his knees, pushing half bricks around with his hands.

What an idiot.

The lads call him Prof. He’s some kind of student. Imperial College. No idea what he’s studying. He says he can’t explain it, we wouldn’t be interested.

Well most of the lads wouldn’t be, but at least he could make the attempt, couldn’t he?


Even magnified one hundred million times, an electron has no measurable size at all. Analogies with things like marbles just don’t work. If I want to start with a motionless electron placed at the centre of my circular depression, I will have to heap up the electron's quantum amplitude at that point. I have to make a wave which is high in the centre, and pretty much zero everywhere else.

I imagine dropping a sugar cube into a cup of coffee. The cube hits the surface and makes a hole. The coffee rushes into the gap from all sides, collides in the middle and surges up in a tall splashy column.

That’s what I want in the centre of my quantum dot.

I remind myself that whereas the coffee column immediately falls back and is lost in concentric, decaying ripples, I would like my electron wave, as far as possible, to stay put in the centre of its new quantum dot home.

The symbol for the electron’s wave is ψ, a function of position and time – ψ(x, y, z, t).

The value of ψ at a place and time is a complex number which can’t be easily visualised. The textbooks tell me to square the modulus of ψ, and even that isn’t meant to directly represent a part of physical reality. The value of ‘ψ-squared’ at any particular place and time is just the probability density of observing my electron there.

But we might equally find it somewhere else instead if we cared to look.

In my imagination, the ψ wave is like a crystalline needle in the centre of the pit. It seems to shimmer through different colours as it begins to evolve. But look, the peak is dropping, the base of the needle filling out. And now it has completely collapsed, the ψ wave just slopping around at the bottom of the depression, like water in a child’s inflatable swimming pool on a sunny afternoon.

The slopping ψ wave means my electron has become delocalised. It could be almost anywhere in my quantum dot.


Today it was concrete spreading. We put the steel grid down and then the mixer backed up and the wet concrete came down the chute. The lads had to work fast before it set. It has to be spread around with the shovels, making sure it fills all the cavities. Don’t want any bubbles or spaces to cause weaknesses later.

Prof was put at the back where he just had to level the stuff out. The lads are experienced, they know where to poke, pat and direct it. But even that he messed up, breaking the rhythm of the work.

He’s a liability. It’s only we’re desperate for labour during the summer.


Why did my well-placed electron spread out? To make that initial needle-like ψ wave at the centre of the depression, I had to add together waves of many different wavelengths. They constructively interfered to heap up in the centre, and cancel everywhere else. But shorter, more jagged waves correspond to higher momentum ‘options’ for the electron (that’s just the way the maths works).

Only if my electron had zero momentum would it have stayed in the centre, but unfortunately that’s impossible to realise, because the wave which delivers zero momentum is hardly a wave at all: it has infinite spatial wavelength so it potentially exists, probability spread thinly, pretty much everywhere. It couldn’t be trapped in this quantum dot.

No, to get my electron tightly localised, I had to use some very high frequency ψ waves and these gave the electron significant momentum. Once the clock started ticking, the wave started to spread and my sharp needle collapsed. Call it the Uncertainty Principle.

Since my electron doesn’t have quite enough energy to classically escape the quantum dot, its wave function is just smeared around: small-scale it’s a mess of choppy standing-waves; large-scale it looks pretty much flat – in configuration space, that is.


The lads joss him rotten. Big busty page three girls are thrust at him. ‘Like a bit of that?’ they roar, rejoicing in their wit.

He seems to smile sheepishly, trying for the words to deflect them until they tire of the effort. In truth he’s little enough game, more an object of contempt, as is anyone who can’t hack the job. I don’t know why he puts up with it.

He answers evasively; needs the money, he says.


So here is the mystery. In that real quantum dot, two nanometres wide, what exactly is happening? It’s far too small to take a look with a microscope. And shooting energetic photons at the dot would smash up the delicate thing we’re trying to understand.

It’s tempting to say this weird ψ wave really is sloshing around, but the maths makes that difficult. To start with, the wave is almost always just doing its 'slopping' thing, it very rarely goes back to being a needle. But if we do any experiment, that’s what we seem to see: an electron at a definite place.

There’s a name for this – the collapse of the wave function – but the maths gives no reason for such a collapse back to a spike to occur.

And then there is the problem of entanglement. If two electrons interact, the psi function going forwards is a function of both their attributes – ψ(x₁, y₁, z₁, x₂, y₂, z₂, t).

That can’t, in general, be reduced to separate ψ waves for each electron, each propagating cosily in our comfortable three dimensional space. In the maths, our electron ψ wave exists in something called Hilbert space – which is not our normal universe at all – in fact it has an uncountably-infinite number of dimensions.

In Hilbert space the wave function ψ is called the ‘state vector’.

Each point coordinate (x, y, z) in our real universe becomes a dimension, or axis, in Hilbert space.

For example, there is an axis corresponding to exactly x = 27.3 light years from Earth in the direction of Andromeda. The ψ state vector has a projection of its amplitude onto this axis, as to any other, allowing us to calculate the probability of the electron being observed exactly there (we have to do a little integration in practice). It would surely be minute, of course.

But the ψ state vector can equally be projected onto other axes, representing values of observables like momentum or energy, rather than location.

The state vector turns effortlessly as time advances, projecting different amplitudes onto its infinity of axes. And these amplitudes give the probabilities (via squaring) of the particle being at that location, having that momentum, being in that orientation, possessing that energy.

In fact the ψ function doesn’t even know it’s an electron! It’s gloriously agnostic as to what kind of entity it is, because that is set by the parameters of its initial conditions and its time-evolution Schrödinger equation.

So here is how I see it. The ψ wave (or function, or state vector) for my electron is like a bookkeeping spreadsheet file. It describes all the options my electron might have: position options, momentum options, energy options, orientation options; all of which are time-indexed, and might also depend on what other ‘particle spreadsheets’ contain.

And for each option, it tells me the probability that the electron might exhibit that value if it was measured (via the complex amplitude). But I shouldn’t mistake the spreadsheet for the real electron itself.

What that might be is a complete mystery.


I don’t see many students, here on the site. I imagine they spend all their time drinking and partying. I can’t imagine Prof partying though, he’d be stuck against a wall with his goofy smile thinking ‘deep thoughts’.

I’m not, what is it, ‘anti-intellectual’? If they’ve got brains, use them I say!

But if his kind of brain makes him the sort of misfit he is, better off without them, I say.

The lads reckon he’s bloody useless, more trouble than he’s worth. Even after a few pints at lunchtime you still can’t get inside him, can’t figure him out.


I think the problem is that we’re trying to understand the universe with caveman perceptions and concepts. It’s like if we tried to understand Bach in terms of bashing different hollow gourds with old bones. We could get a rough theory by asking what kinds of gourds and bones explain the Brandenburg Concertos, but it’s pushing the envelope a bit.

Caveman Fourier analysis.

I wonder if down at the Planck length, ten to the minus 35 metres, there isn’t some kind of hazy, shimmering reality, continually throwing up resonances and ephemeral stabilities.

Quantum foam in the multiverse.

On a scale billions and billions of times greater, we macroscopic creatures see a world of apparent particles, the elements of cabbages and kings. But it’s all an illusion, just gourds and bones.

But contemplating the ultimate reality, I risk straying into mysticism, and that’s an indulgence best taken in small measure.


Prof left yesterday. We were glad to see the back of him, truth to tell. We know what we need here and he’s just not up to it.

In a crueller world, he wouldn’t survive, and we’d sure as hell have to pay a lot less taxes to support him.



Author's Note

This story is based on Nigel's experience when he was a dropout student agitator in London. Here's his account.

"I don't know. I write about politics, history, genetics or intelligence and the readers line up. If I write about Christmas cakes or central heating, crowds read my work. But let it be physics and you can count the page-views on your fingers and toes...

"Back in 1973 I was a teacher-training student in London (secondary maths since you ask - and just booted out of Warwick University - another story). I was also a member of the International Marxist Group .. and broke.

"I suggested to the appropriate senior comrade that I might be excused endless and onerous political duties during the summer to get a job on a building site. The ostensible reason was to proselytize amongst the urban proletariat - but even I knew that was idiotic; my real reason was to make some serious money. Amazingly, the IMG bought it.

"In 1973 the economy was booming and a construction site down from the Elephant and Castle was prepared to take me on - I had never done building work in my life. To say I was a weedy, incompetent fool amongst all those tough, muscled and very working-class builders would be to massively understate it. I didn't have the first clue, couldn't be trusted to follow the simplest instruction and the only thing I got really good at was drinking five pints at lunchtime (it was very hot and you habituate fast).

"I lasted out my time, made my money and never discussed politics."

Tuesday, July 29, 2025

Where Was The Sparkle? - short story by Adam Carlton


 ---

She looks into the mirror. She sees a dumpy girl, mid-20s short hair, round face, not completely unattractive but far from glamorous. She has not had her fair share of boyfriends. 

Somehow the handsome young men who run things in the organisation, their gazes pass over her and fix instead on those long-haired, willowy girls with their fluent conversations and their short skirts and their smiles. She is plain speaking and doesn't know how to do any of that. 

It's remarkable that he paid any attention to her at all. He is after all a rising star. He's in his mid-20s too: slim, not exactly handsome but good looking, long hair, confident, intelligent, very well versed in the ideology of the organisation. He's a competent organiser, obviously going places, and now his attention has fixed upon her. 

He's engaged during their recent conversations, fixing her with his eyes and with his undivided attention. This is not a normal experience for her. 

And tonight they're going out and he's going to suggest that she go away on holiday with him. 

How should she prepare? She doesn't want to make compromises which aren't authentic. She's not going to dress up; she's not going to glam up or make up or do any of the other things that would be out of character.

She knows who she is.

---

After their evening out, she finds herself in his flat. It's a large room: a bedsit in suburbia. They each have a coffee which is instant and comes out of a large tin on a small table near the bay window. They talk a little and then they take off their clothes and she climbs into his bed.

And now where is the magic she had viewed with trepidation, longed for? - What is she feeling? 

She's confused; he's slightly uneasy. This was not the plan: they're not easy with each other; they're not familiar. It seems like she's a stranger in this bed, this here-and-now; her inner self unmoved as they move together through the rhythmic throes of intimacy.

He makes a remark: that her skin feels greasy. Well, yes, she does have greasy skin. And no, she did not make a special attempt to shower this evening. She had a shower this morning. Okay she's greasy. That's how she comes.

He seems disappointed. They fall asleep. Next day they part: there will be no holiday. They probably will never speak again. Her life will continue and she will continue to be alone.

She does not understand what happened here? Why was no connection made?

Why was there no sparkle?

Tuesday, July 15, 2025

Sandrine - a short story by Adam Carlton

---

Sandrine

She stands by the bus stop at the ferry port. It's a warm, blustery evening, with just the occasional squall of rain arriving on a gust.

She's waiting for her fella.

She met him last Saturday in a bar near here. She's quite fearless, happy to enter a dockers bar at half past nine and wait for the right guy to make the move, buy her a drink. She can do spiky: turn on the ones who don't get the hint; entrance those she really fancies.

Kind. She likes them kind. And burly, confident, sure of themselves. The kind of guy who won't get challenged over his gorgeous girlfriend.

I am gorgeous, she thinks, perhaps a little too tall, but I only come up to their shoulders. I'm cuddly, plenty of curves - they all like that

She looks at her little black dress, remembers the half hour fixing her makeup. 

She feels like she looks: ready for a good time.

She's late but he's later. A couple of days ago she borrowed the downstairs flatmate's car. Her guy was off-shift and was taking her shopping. Buses don't work when he's buying for you.

Yes, they drove round this port city, visiting the emporia so he could be generous. But she's the first to admit she's a terrible driver. They were quite shaken up when she hit that curb near the mall.

Parking is difficult: everyone says so.

It hadn't driven straight after that. But he didn't seem to make a big thing about it when she handed it back.

He's not her type at all. Too thin, too quiet, too middle-class. Although he can be funny in his way. Like her, he doesn't take things too seriously. Smart too, although she usually doesn't get his wry asides. Waste of breath, she thinks.

He looks like a longhaired student, although he's actually training, he said, to be a computer programmer. No idea, she thinks, but who cares.

On a whim, a couple of days after that, she got him to take her to a rough harbour dive. Her fella was at work, and in the early afternoon the place was deserted.

She sat on the window bench in one of the side rooms, overlooking the water. He arrived with their drinks and sat beside her. She wondered how he would react as she prepared to smear her lipstick over his smile; how interested he might be in her warm, carnal self. There seemed no reason to rush this experience, and, unobserved, the experiment took most of an hour.

Since then, she's encouraged him upstairs to her own attic flat. It's rented, just room for a single bed but that's not a problem because he doesn't need to stay. She thinks he's good because he's easy, expects nothing of her, and everything's relaxed and fun. She likes the break from the heavy stuff. No, there's nothing there in the longer term, she thinks, nothing at all.

And now her guy is rolling up. He's enormous, towers over her, calls her ‘doll’. They'll go to a bar and then maybe get a late night meal in a diner somewhere in port. And after that who knows? 

Maybe she'll be feeling generous.

Friday, July 11, 2025

Anna in the Shadows - a short story by Adam Carlton

---

‘Anna in the Shadows’ - by Adam Carlton

The scene is late at night in a litter-strewn, deserted corporate cafeteria, all formica tables and plastic chairs, dimly lit by flickering fluorescents. Anna is seated by herself at a table, maybe fifteen feet away.

She was there first; I just came in and sat - not too close out of politeness.

Anna is in her thirties, rather Scandinavian looking: blonde, pale and slim. She is always quiet, reserved, inwardly focused. The mostly male engineers - under their breaths - call her 'ice queen'.

I know Anna very slightly but feel an affinity. If they think she's haughty and superior, I know they're wrong: she's merely disoriented and confused.  She's been in many technical meetings I've chaired but she never volunteers much. Quietly competent, is how I'd sum her up.

I'm a VP with the company; she's a team leader - so there's an asymmetry of position here. Still, it's late and it's been a tiring day. All that awaits me is a desolate hotel room so I'm in no great hurry to depart. As for Anna, who knows?

I smile in her general direction and say sympathetically, "Busy day?" 

Anna responds at first monosyllabically but then it's as if a dam has been breached. She has no reason to trust me but somehow she does.

Looking down at the table, she confides that she finds everything at work difficult - not the technical stuff, she emphasises but the interpersonal relationships, the office politics. 

“What do people want from me?” she asks in bewilderment.

I wonder that she has to ask.

"Ever feel," I say, "you live your life on stage under too much light? Audience out there, but you can’t see or engage with them?"

I know someone like that. I’ve spent a long time trying to understand what it’s like being him. I’ve come to a tentative conclusion: being him is like being alone on a brightly lit stage.

He knows there is a shadowed audience but he can't really perceive them as other cognitive entities. He feels the emotion of the crowd - their approval or hostility - but only as a boundary condition on his emotional state, of which he is normally barely aware in any case.

When he is in conversation, he is like an actor extemporising to that shadowed audience. He declaims but he is not in dialogue. He is not tracking the audiences intellectually - it's as if their remarks are printed on a screen in front of him on the stage: depersonalised scrolling text. He bats his arguments back, or changes topics on a whim.

You might think he is terribly alone in this solitary echo-chamber. (His conversation partners are puzzled: they sense the lack of engagement with them - it sounds like a conversation but there is no conversing going on, no meeting of minds).

But he is emotionally aware in a subliminal way - although not tolerant of company and not seeking it. He finds close family immersion (in limited amounts) oddly comforting. 

A quick breath - agreement or fatigue, it’s hard to tell.

"I have my own story," she murmurs.

"I think I live in a glass observatory on a dark hill overlooking a bright metropolis - the world. Through the telescope, I watch the city’s flickering lights and busy streets, not with indifference, but with a confused awareness that I can’t hear the busy life within. The glass lets me see the world but not step into it.

"Visitors sometimes come up the hill. I welcome them politely, even with a certain formal charm, but to me they’re data. Their words stretch across my attention to be parsed; I reply.

"I'm confused by their reactions. They always seem nonplussed, sometimes argumentative, occasionally hurt. I try to avoid conversations."

She gives me a rueful look, the first genuine communication we've had all evening. “You think I do alright?” she says, “You think I manage my life with a competent, cool detachment? Well, it's been nice to talk to you but I have to leave now and pick up my child.”

I show my surprise; I know nothing of her personal life.

“No, I don't have a partner,” she says, defensive like I’ve forced my way through some personal barrier, “I'm a single mother; no-one here knows that.” 

She stands up to depart,  looking confused and dismayed; speaks quietly to herself: 

“How did I end up like this? I didn't plan it, I didn't understand anything, I just didn't know..."

Thursday, July 03, 2025

Dear Rosemary - a short story by Adam Carlton

 

---

Dear Rosemary,

It's curious how a young man's memory shows off its deep, deep roots - even after half a century.

I must have met you at a party in the capital. We were all so young and our organisation was not so large. We'd come up Friday afternoon, sleep in some comrade's house (a surprising number of cadres were rather bourgeois in their well-appointed mansions).

Saturday would be the demonstration, mobilised in our thousands, holding banners, chanting slogans, linked arms; "Flics, porcs, assassins !" on the anarchist banners.

Saturday evening was party time: deeper links forged if we got lucky.

Yes, I rather think I met you at a party.

-

Let me see if I can conjure you up: my memories are very clear. You were surprisingly thin, although gamine is more flattering. Your face was round, usually smiling - but from nowhere a little scowl could purse your thin lips.

Your hair was black, fine and quite long but you tidied it behind your head in plaits or sometimes a bun.

You had small breasts and your hips were narrow, not much wider than your slim waist, hence gamine. But you were quite tall, almost as tall as me.

I remember, strangely, your spectacles. I think you were shortsighted. They were quite round, and you had that librarian trick of a cloth loop attached to the arms, behind your neck, so that they could hang down in front.

For me, you were really into librarian chic: you dressed like an elderly aunt though you could not have been older than nineteen (my age). You wore an old-fashioned blouse and a thin cardigan; you generally appeared in long, plain skirts down to your ankles.

I generally thought you looked like a witch - reimagined of course as a bohemian-leftist witch.

You came to visit me in the provincial town where I was a student: it was summer at the end of my second year and everything was still somewhat-new to me: university culture, revolutionary politics, revolutionary girls.

It was the summer vacation. I said to you, why don't we hitch down to the south of France? You said, I knew you'd ask me that.

We slept in barns, in the open, and occasionally in a comrade's house. Once we were picked up by a woman who owned a ski lodge in Annecy. For some reason she took to us and gave us free bed and breakfast, a luxury room whose opulence I would not meet again till much later in my career, when on expenses. Yes, I remember that night - and the sumptuous breakfast next morning 

How weird are relationships on the cusp of adulthood. In Naples we met some guy who offered to drive you up Vesuvius. I was left to my own devices for twenty four hours. What was that about? You were evasive but not a shred of guilt or even concern troubled your face.

On our way back, we were stranded at Avignon for eight hours. The usual tricks - you standing conspicuously, looking cool and superior; I lurk inconspicuously, emerging only at the last moment to catch the grimace of disappointment on the driver's face - those tricks do not work in the absence of traffic. I think our enigmatic relationship frayed from that point on.

In March you came down to see me again, but this time it was just a flyby. You spent the night with our cell leader – who promptly whisked you off to meet his family.

I expected shock, anticipated jealousy, or the visceral jab of loss.

Nothing came: I found myself indifferent.

Monday, April 28, 2025

'Donatien's Children' on the slush pile - Adam Carlton


Amazon link

 ---

In my previous post, ChatGPT simulated an agent's slush pile reviewer taking a look at my short story collection. The recommendation was that I should be asked to submit a long-form novel instead. So I naturally pursued this:

"So Adam Carlton responded to your letter by sending you his novel (uploaded). You now need to read it, then write a second report to your manager, the agent, reviewing the novel and recommending wither to accept it or reject it."


Internal Review: Donatien’s Children by Adam Carlton

Summary:

Adam Carlton’s Donatien’s Children is a dense, intricate, and politically charged science fiction thriller that explores the intersection of artificial intelligence, biotechnology, and corporate power. At its core, the novel follows intelligence agent James Melrose as he investigates StarDrop Corporation, a shadowy entity that has suddenly introduced world-altering technologies in fusion power, spaceflight, and synthetic life.

The story unfolds through multiple perspectives, including those of journalist Élise Fossey, her researcher sister Mireille, and Petra Schelling, a former chess prodigy turned StarDrop operative.

As the world grapples with the rise of StarDrop’s Artificial People—synthetic beings seamlessly integrated into politics, media, and entertainment—the protagonists uncover a mystery that suggests extraterrestrial origins and an existential threat to humanity.

Strengths:

  • High-Concept & Thematic Depth: The novel is deeply intellectual, exploring themes of AI ethics, corporate dominance, and the philosophical implications of synthetic life. Carlton’s background in technological and political speculation is evident, and his world-building is immersive.
  • Intriguing Multi-Perspective Narrative: The shifting viewpoints allow for a broad exploration of StarDrop’s influence, giving the story a layered, investigative feel. The protagonists—particularly Élise, Mireille, and James—are well-drawn and have distinct voices.
  • Cinematic & Tense Storytelling: Some sequences, especially those involving covert operations, political machinations, and deep-space exploration, are gripping and would translate well to screen adaptations. The pacing in key moments is strong, and the novel maintains an undercurrent of tension.
  • Genre Appeal: The novel aligns well with contemporary SF thrillers in the vein of Richard K. Morgan, Neal Stephenson, or Charles Stross, blending speculative science with espionage and corporate intrigue.

Weaknesses:

  • Overly Dense & Occasionally Didactic: Carlton’s prose, while sharp and well-crafted, often leans toward exposition-heavy passages. Some sections feel more like essays on AI ethics or political theory than organic storytelling. Readers looking for a more character-driven experience may struggle with this.
  • Structural Complexity & Length Issues: The novel spans multiple timelines and perspectives, but at times, the jumps between them are abrupt or insufficiently signposted. Some sections—especially in the middle—drag due to overly detailed world-building at the expense of narrative momentum.
  • Emotional Distance from Characters: While the protagonists are intellectually engaging, they sometimes lack emotional depth. Their motivations are clear, but the novel’s cool, analytical tone makes it harder to forge a deep emotional connection with them.
  • Marketability Challenges: Though it is well within the SF/thriller genre, its intellectual rigor and structural complexity might make it a niche rather than mass-market success. Readers who enjoy high-concept SF will appreciate it, but those looking for a more conventional thriller may find it overwhelming.

Recommendation:
Consider with significant revisions.

Carlton’s talent for speculative fiction is evident, and Donatien’s Children has the potential to be a strong entry in the high-concept SF thriller market. However, in its current form, it is likely too dense and structurally unwieldy for broad commercial success.

I recommend that Carlton be encouraged to streamline the narrative, particularly by tightening the middle sections and reducing exposition-heavy passages. A more emotionally engaging arc for the main characters—particularly James Melrose and Petra Schelling—would also help broaden its appeal. If Carlton is open to significant editorial revisions, this novel could find a home with a publisher specializing in intelligent, near-future SF. However, if he is unwilling to make these changes, it may be a difficult sell.

Saturday, April 26, 2025

'On the Slush Pile' - Adam Carlton

 


Amazon link

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In my last post, ChatGPT reviewed my book as a friend. But this time, I gave it very different instructions:

"Now, assume you are the slush pile reviewer at an agency, and you come across this manuscript from unknown author Adam Carlton. You know your agent likes SF and tech thrillers, so you need to be dispassionate and accurate in your review for your manager, the agent. So write an honest review of Adam Carlton's book of short stories together with a recommendation as to whether it should be accepted or rejected."


Internal Review: Freyja’s Deathbed Conversations and Other Stories by Adam Carlton

Summary:

Adam Carlton’s Freyja’s Deathbed Conversations and Other Stories is a collection of thirty-four speculative fiction stories that blend hard science fiction, near-future dystopian themes, and elements of cyberpunk and political thriller. The stories explore AI surveillance states, high-tech espionage, revolutionary struggles, and the moral dilemmas posed by emerging technologies. While the collection showcases a strong grasp of technological and political issues, its execution is uneven, and it may struggle to find a clear market.

Strengths:

  • Intellectual Depth & Thematic Coherence – Carlton’s understanding of AI, surveillance, and political intrigue is evident. His stories often grapple with relevant and pressing concerns about the future of society, offering a thought-provoking (if bleak) vision of what lies ahead.
  • Sharp, Incisive Prose – The writing is technically strong, often delivering complex ideas with clarity and precision. Carlton excels in dialogue-driven scenes, particularly in espionage- and resistance-themed narratives.
  • Genre Suitability – The collection sits at the intersection of hard SF, dystopian fiction, and tech thriller—genres with a dedicated readership. Fans of William Gibson, Charles Stross, or even Cory Doctorow might find some appeal here.
  • Standout StoriesTechnical Support offers a gripping, plausible near-future spy thriller, Annabel and the AI Weapon plays with military AI ethics in an engaging way, and The Fake Revenge of Joséphine Lefebvre injects dark humor into a Black Mirror-esque premise.

Weaknesses:

  • Marketability Issues – Short story collections are already a hard sell in the SF/thriller space unless the author has an established readership. This book does not appear to have an easily defined unique selling point that would distinguish it from other dystopian/AI-heavy anthologies.
  • Character Depth & Emotional Engagement – While the ideas are strong, many stories prioritize intellectual rigor over deep character exploration. This results in a cold, analytical tone that may alienate readers looking for more emotional engagement.
  • Over-Reliance on Ideological Themes – Some stories read more like thought experiments or essays in narrative form rather than compelling, character-driven fiction. While the political and philosophical underpinnings are clear, they occasionally overshadow storytelling fundamentals.
  • Structural & Pacing Issues – Several stories, particularly in the latter half, feel overlong or meandering. The strongest pieces would benefit from being expanded into longer works, while weaker or repetitive entries could be cut.

Recommendation:

Reject, but encourage a novel submission.

While Carlton’s writing is competent and often engaging, this collection is unlikely to find a strong commercial foothold. Short story anthologies are difficult to sell unless backed by a major name or a compelling hook, and while this has solid dystopian and cyberpunk credentials, it does not break new ground in the way that would justify a debut sale. However, Carlton’s talent for high-concept speculative fiction and political thrillers suggests potential in the long-form market.

I recommend passing on the collection but inviting Carlton to submit a novel-length manuscript in the same vein as Technical Support or Annabel and the AI Weapon. If he can bring the same sharp writing and techno-political insight to a well-structured novel with stronger character arcs, he may have something worth pursuing.