Showing posts with label Donatien's Children. Show all posts
Showing posts with label Donatien's Children. Show all posts

Saturday, May 02, 2026

La Double Inconstance (2030–31) — Episode 1


La Double Inconstance (2030–31) — Episode 1

1: A Tuesday in Early March

It’s ten past six; the dawn air is freezing as we wait for the shuttle bus. Overhead, silvery clouds are scudding east to west, riding a Siberian wind. I glance at Tania, huddled inside her parka and billowing over-trousers; I think she looks overtired.

We leave the dormitory behind. The bus is warm and stuffy; it’s just a short ride to the airport. The driver is walled off behind an opaque glass screen. Sensibly, Tania seems to be catching up on her sleep. This isn’t that old sleep-deprivation bullshit - breaking you down and remaking you; the launch window is tight, the mission evolves, the training has to follow suit.

Train hard, fight easy. So today won’t be easy: we were given a brief description last night - zero-g training, further details on the flight.

Tania, I think, it’s easy to make mistakes when you’re tired. Take your nap and please don’t screw up.

She’s my mission-buddy and I’d hate to have to change that with just a few weeks to go.

2: Tania Milet

Tania is from the Bundeswehr special forces - modelled, they say, after the Israeli counter-terror group (officially denied). In any event, I’ve seen how she handles herself. Tania and myself are a ‘psychologically matched pair’ so it’s really essential that neither of us screws up today. Tania is the comms and weapons systems specialist.

We board the helicopter at a remote apron without formalities; this is a military flight. Tania and myself sit at the back facing forwards. We strap in and pull the intercom headsets on. Staffers occupy seats in front of us, part of the support team, while at the pilot end two seats face us. On our left is Günter Schlierkamp, our training commander; on the right sits Dr Anna de Kasparis, the mission psychologist.

Schlierkamp will be giving the briefing once we’ve taken off, but my eyes are drawn to his companion. Anna is wearing a bulky parka just like the rest of us. She leans forward to slide it off as the heaters kick in. Her jacket underneath is a regulation uniform flaunting the ESA logo, but the rest is surely her own: a small black skirt with matching tights and pixie boots of soft leather.

I deliberately let my gaze linger and she stares right back: blue eyes neutral, expression confident. Anna continually assesses us: everything she does is designed to see how we, the subjects, respond. We could be down-checked any time for reasons we would never understand—though this far in the process that’s unlikely; the losers are long since gone.

Why is she so attentive to me? I turn away - no point wasting time on it - shift my gaze instead to Schlierkamp, who has the grizzled look of a veteran who will fly no more missions and is ambivalent about that.

The engine cranks up and with a small jolt the craft slowly lifts off. I second-guess the pilot. In my former life I flew helicopters for the French army. Special birds with hushed turbines, quiet rotors and a fractal e/m signature.

Piloting the module is not dissimilar.

3: Tuesday — Dropshaft

Schlierkamp is talking for our benefit (his staff are regulars for today’s exercise; they’ll have heard it all before). He clears his throat and I poke Tania in the ribs with my left elbow. She’s alert in a second.

“Team, today we’ll be doing zero-g exercises in a mocked-up mission capsule. Time at zero-g is limited. You will start the exercise within a routine duty profile. On the emergency warning you will move immediately to your combat couches. There will be limited time before sustained excess gees.”

This is so normal: the shortest possible briefing - studded with euphemisms. They like you to work it out for yourself so you can internalise it. They’re wasting their time with Tania, of course; she’s of the school of “Stop faffing, let’s get on with it.” It’s down to me to ask the questions.

So how do we get into zero-g today? We’re plainly not going orbital; that’s not done on a whim. We can do things with ‘diamagnetics’ but not on the scale of the whole module. It could be an aircraft pulling parabolic curves, but they could do that from our base - no need for our ride today. So I’m guessing a drop-shaft, probably in vacuum. They’re going to drop us into a deep, deep hole so that we float - and then stop us, real fast - so we don’t die.

“Where is the training facility we’re using today?” I ask to confirm my suspicions.

“A former deep mine in Magny-Danigon, north-east France, more than a thousand metres. We’ve widened and deepened it, hardened it for vacuum. Today it’s configured for your mission.”

I do the math in my head. It takes fourteen seconds to drop a kilometre in vacuum; you’re doing 140 metres per second when you arrive—more than 300 miles per hour, as our American friends would have it.

Fourteen seconds of zero-g experience: very good; 140 metres per second on impact: very, very bad.

They won’t let us fall all the way. At some point they’ll put the brakes on. If they’re prepared to really load us with gees, they can stretch our zero-g time further. Personally, I’d value the extra transfer time to our high-gee couches. I’m beginning to see the trade-offs, which I quietly share with Tania on our private channel.

“They’re going to drop us down a shaft in vacuum,” I say. “The exercise is to get to our acceleration couches in time. Then they’ll hit us with gees to stop us - probably lots of gees.”

“You’re the pilot,” she says.

I swear she’s falling asleep again.

It might depend on how much extra length they built into the shaft.

“How many seconds of zero-g can we expect?”

“We’ll start you with ten seconds. Then hit you with three, maybe four gee. If that works we might be generous and give you longer in free-fall. Some of the other teams were happy with ten gee by the end of their sessions.”

Almost certainly complete bullshit. At three gee you can barely move. Make one mistake at ten gee and you’ll break an arm or a leg. Still, he’s made it a competition and no doubt something important hangs on it: some pecking order on the mission roster, another opportunity to flunk.


The full story text can be found in my SF novel: here:


Tuesday, December 21, 2021

"Donatien's Children" - new SF novel by Adam Carlton

Link to PDF

I have now completed the text for this, my first science-fiction novel (I published a book of short stories in 2019: Freyja’s Deathbed Conversations: and other stories).

"Donatien's Children" is now available on Amazon as a Kindle eBook - the paperback version will be there in a day or two, but you may read the novel for free by following the link below the image above (PDF). Let me know if you find any typos or errors which need attention via comments below.

Here's a summary of the book: first the blurb and then a longer guide. It will answer your first question: Donatien?

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Donatien's Children

Introduction

The StarDrop Corporation emerged from nowhere offering new technologies for fusion power, spaceflight and synthetic life. Petra Schelling, teen chess prodigy, was recruited by an intelligence agency to spy on StarDrop - before vanishing. James Melrose, her controller, is told that losing an agent is regrettable but it happens. But why has Petra now become a high-profile StarDrop agent of influence?

StarDrop’s Artificial People are suddenly everywhere in entertainment, the media, politics and top jobs. Friendly, attractive and smart, they are indispensable in tough assignments such as the mission investigating an anomaly on the larger Martian moon, where an artefact suggests StarDrop might be of extraterrestrial origin.

Élise and Mireille Fossey: two sisters, one a journalist, the other a researcher. For Élise, StarDrop will lead her into more than lethal peril; for Mireille, the corporation may be humanity's finest opportunity... or maybe a deadly, existential threat.

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Themes

Prologue:        I’m Not Awake - 2022

Part 1: La Maîtresse des Échecs - 2023

Part 2: Petra - 2028 (winter to autumn)

Intermission: Mother Christmas (2029)

Part 3: La Double Inconstance (2030 winter to 2031 summer)

Part 4: La Philosophie dans le Salon (2032 spring-summer)

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Part 1 considers what remains of a competitive activity when the machines have comprehensively surpassed human-level performance; and the nature of an equilibrium when you can always win through cheating. I had cycling - road racing - and Lance Armstrong in mind when I wrote this part.

Part 2 leverages my own experiences working in an industrial research lab, although nothing remotely as exciting ever occurred. Petra is very loosely modelled after my divisional director; other characters are also variants of colleagues.

Part 3 follows the theme of La Double Inconstance, a romantic comedy by French playwright Pierre de Marivaux first performed in 1723. A young woman, Sylvia, is kidnapped from her lover, Arlequin, by the Prince who intends to marry her. Through a complex series of engagements the Prince and his smart female servant Flaminia conspire to break the Sylvia-Arlequin relationship, resulting in a switch of partners.*

Part 4 follows (very loosely!) a theme from La Philosophie dans le Boudoir, published in 1795 by Donatien Alphonse François, Marquis de Sade. Set in a bedroom, the two lead characters argue that the only moral system that reinforces the recent (1789) French revolution is libertinism. Dolmancé is the most dominant (and evil) of the characters in the dialogues. Eugénie (a fifteen year old) has been sent by her father to be corrupted by him and his associates into libertine ways. The fifth section, a lengthy political monologue, comprises de Sade’s manifesto.*

That short book - French and English versions freely available in PDF format on the Internet - is almost unreadably graphic in places in its gleeful accounts of the most depraved sexual practices. Considered pornographic for centuries, it is now considered an extreme polemic on sexual politics. 

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* Some of the text here edited from the corresponding Wikipedia articles.