Monday, December 26, 2022

A short Led Zeppelin playlist

Nigel's Led Zeppelin playlist

There wasn't quite room in the screengrab to show "Thank You" and "Dancing Days" - which complete my current list to eight tracks - a personal album's worth. 

One additional song I love is "Rock and Roll" which, IMHO, is best showcased by the contemporary Robert Plant - usually with glamorous assistance, as in the video below.

The original nineteen seventies Led Zeppelin performances now look hurried and throwaway; in the hands of a mature Robert Plant the song has deepened to become nostalgic and mischievous.

I will add it to my playlist.

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Robert Plant ft. Imelda May - Rock And Roll (Later with Jools Holland)

Here are the lyrics:
It's been a long time since I rock and rolled
It's been a long time since I did the stroll
Ooh let me get it back, let me get it back
Let me get it back, baby, where I come from

It's been a long time, been a long time
Been a long lonely, lonely, lonely, lonely, lonely time
Yes, it has
It's been a long time since the book of love
I can't count the tears of a life with no love
Carry me back, carry me back
Carry me back, baby, where I come from, whoa-oh-oh

It's been a long time, been a long time
Been a long lonely, lonely, lonely, lonely, lonely time

Oh seems so long since we walked in the moonlight
Making vows that just can't work right, oh yeah
Open your arms, opens your arms
Open your arms, baby, let love come running in, yeah
It's been a long time, been a long time
Been a long lonely, lonely, lonely, lonely, lonely time

Yeah-hey, yeah-hey, yeah-hey, yeah-hey

Ooh yeah, ooh yeah
Ooh yeah, ooh yeah
It's been a long time, been a long time
Been a long lonely, lonely, lonely, lonely, lonely time.

I do like the impish look of glee on Robert Plant's face as he sings: "Open your arms...". 

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My previous Led Zeppelin post celebrated the massively underrated "The Rover".

Sunday, December 25, 2022

Adam Carlton's writing notes in 2022

Humans and capitalism are a poor match

Humans are poorly adapted to a high-performance capitalist society. That's why as consumers (and as the owners of capital) we devoutly await the arrival of competent, ubiquitous robots. Ironic, really.

On being dominated by your primary psychological functions

All my life I have been seduced by ideas: libertarianism, marxism, the sacredness of scientific endeavour. Finally I am learning to be a whole person, with collegial relationships with others.

And you ask why I joined the Catholic church? That was my first confession! 

The one thing I took from T'ai Chi was the Taoist idea that we should be conscious of those drives which impel us to action or gratification  - which include of course intellectual curiosity, as well as staples such as fear or jealousy - and never be mastered by any one of them.

It has to be said, though, that the Taoist persona - calm and in control - does not lend itself to emotional colour or drama!  There's no market for a Taoist soap!

The illusion of intrinsic equality

Imagine teaching children at school that all (cognitive, psychometric) abilities are distributed normally and variantly - and that this explains many outcomes. And that we maintain a legal/social principle that all citizens are nevertheless to be considered equal.

Too sophisticated for the left side of the bell curve? Or too divisive? Is that why we lie?

Marx or Darwin?

In fact, to be absolutely precise about my view, I would say you can either have Marx's - rather vague and certainly utopian - concept of communism as a historical destination for humanity, or you can have a realistic evolutionary Darwinian theory of human nature.

You can't have both.

Marx is best understood, IMHO, as a sociologist who analysed the specificity of the capitalist mode  of production as contrasted with feudalism or slave societies. This completely undermines its utility to the revolutionary left, which is why they will defend to the death their dogma of the social-mutability and perfectibility of humanity. Wokeism is just one more, albeit theoretically-shallow, spin-off of this delusion.

Marx himself seemed rather ambivalent about the extent to which human nature was mutable. He was a fan of Darwin. But not enough, it turned out 😏... a triumph of wishful thinking on his part.

Liberalism is - in essence - decoupled from reality

Liberalism is a low-stakes politics. Liberalism believes in the autonomous power of ideas, detached from material contexts and more importantly vital interests.

The defining characteristic of liberal thought is the setting of ungrounded normative models. Fukuyama is more sophisticated than most in that he has read widely and situates his thinking historically. Yet his attachment to the ungrounded concept of "democracy" abstracts from the actual dynamics of history. Marx called Hegel out on this (and Fukuyama has regressed to Hegel). We need to move in the other direction, that of sociobiology. 

Example: Fukuyama was stranded by the military coup in Egypt which overthrew the Morsi Islamist government. That marks the outer limit of his insight

AI Cars

Current architecture AI cars attempt to prove the zombie hypothesis: the hypothesis that all driving can in principle be achieved unconsciously

Why can't we tell the cars things? Would that be the road to automotive consciousness?

Biology first, then sociology, then political economy

You have to think of the animal. The animal, if smart enough, can support various social protocols. Co-evolution obviously, at the margins. But it's the animal supporting the protocols, not the protocols creating the animal. 

AI systems today are task models, not agents per se (in a naturalistic sense). We'll make scientific progress when we know how to engineer artificial animals or humans. And that's when AI Risk becomes real.

Hitting your cognitive limits

Subjectively how it feels: self-deception. No-one really believes in their own cognitive limits - people prefer to believe that the IQ tests 'suddenly become arbitrary'.

J. S. Bach's psychological type was ISTJ

 I suppose I had always thought of Bach as an INTJ. Had to be pretty conceptual with all that transcendent hyper-complex polyphony, right?

Turns out I was wrong.

Paul Boboc writes compellingly

"In typing the greatest musician in history we must let go of biases and look carefully at the information. As a Bach devotee, I've read a few biographies of him: Gardiner's Bach: Music in the Castle of Heaven, Wolff's Johann Sebastian Bach: The Learned Musician and Schweitzer's Bach: The Poet-Musician

Having read these books and listened to hundreds of his works many times over the years (I think I've listened to the Passacaglia and Fugue alone at least a thousand times), I can confidently say that Bach was an ISTJ. It was his powerful Si that allowed him to create works so tremendously powerful in detail, while his tertiary Fi imbued his intricate structures with intense pathos. Bach lacked the INTJ's penchant for theoretical thought; we know he found it hard to express abstract ideas and at one point had a professor from the University of Leipzig, a personal friend, write a letter defending his compositional technique because he had a hard time doing it himself. 

If you read his letters, especially his letter to his friend Georg Erdmann from 1730 and a letter about some wasted wine to a government official, you notice the extreme attention to detail that characterizes him in general and which probably made him an unlikeable character in Leipzig. (The unlikeable persona also has to do with his very weak Fe). His personal writings are very characteristic of S-types, with their strong grasp of specifics and their transparent earthiness.

Bach never seriously questioned the orthodox Lutheran creeds and had little interest in the theoretical underpinnings of the Enlightenment. His library consisted mostly of theology, no philosophy or literature; an INTJ would have had a more diverse library, certainly one containing more abstract material. His keyboard playing astonished everyone and clearly gives evidence of his Si, as do the physical aspects of his life; he was by all accounts a man who indulged in physical pleasures, whereas IN**s, who are temperamentally more puritanical than other types, tend to shy away from those and to prefer mental activities instead. Imagine an INTJ writing the Coffee cantata, or spending years obsessive-compulsively re-writing his works down to the smallest details, or having 20 children (!). It's hard.

In his own life, Bach was more famous as a performer and teacher than as a composer. His organ playing was universally recognized as some of the best in Europe. The famous story of Marchand being invited to compete with Bach in an organ contest, only to hear him play from an adjoining room and leave in awe and shock without even bothering to compete with him, speaks volumes about the cantor's imposing physical gifts. Physical prowess comes more easily to ISTJs than INTJs, who are more comfortable inhabiting mental rather than physical spaces.

Then there's the music. It's inconceivable to me that anyone but a sensor could have written the Art of Fugue or the Musical Offering. Compare Beethoven (INXX) with Bach (ISTJ) to see the obvious difference between an N type musician and an S type musician. N type musicians (Tchaikovsky, Schubert, Beethoven) can be sloppy, even careless, because the full effect matters more to them than the details through which that effect is achieved. S types - Bach and Mozart being the most notable examples of this type in classical music - have a miraculous ability of making every detail matter, and of getting straight to the point without any superfluity. Their economy of style is amazing, soul-shattering. Beethoven, Wagner and Mahler lacked it. Tchaikovsky, Schumann and Schubert also lacked it. Bach and Mozart had it in abundance.

PS. If you're interested in more along this line of reasoning, here's a great and persuasive article on what makes Bach (probably) an ISTJ."

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This reminds me of the sensei at my karate club who is similarly ISTJ:  intensely skilled in technique and a stickler for formal and methodical progression by the book.