A Better World, Where Are You?

 

"I was brought up as a member of the Church of England and simply follow the customs of my tribe. The church is part of my culture; I like the rituals and the music. If I had grown up in Iraq, I would go to a mosque… It seems to me that people who attack religion don’t really understand it. Science and religion can coexist peacefully — although I don’t think they have much to say to each other. What I would like best would be for scientists not even to use the word “God.” … Fundamental physics shows how hard it is for us to grasp even the simplest things in the world. That makes you quite skeptical whenever someone declares he has the key to some deeper reality… I know that we don’t yet even understand the hydrogen atom — so how could I believe in dogmas? I’m a practicing Christian, but not a believing one."

My position is not quite the same as Martin Rees's.

To be esoteric for a moment, I am a deontic Catholic: not one who buys into the Confessional ontology (i.e. a literal, uncritical, ahistorical reading of the sacred texts). Though paradoxically, it's only when the vast majority of adherents and clergy cleave to a Confessional ontology that the institution persists through the endless millennia. 

Nevertheless historical, materialist deontology is the right paradigm (Roger Scruton is my go-to guy here on deontology).

Sally Rooney hints that with the death of the Marxist-Leninist, communist ideal, Catholicism is one of the few remaining subversive forces insofar as - at its best - it counterposes and organises social solidarity based on high ethical principles against an alienated rootlessness taken to absurdity by a debilitating, progressive wokeness - from which elevated standpoint Catholicism is popularly ridiculed, or treated as absurd or incomprehensible.

(There are other countercultures which also deserve support: those arts which uplift, unify and empower ordinary people and exemplify unfashionable virtues: duty, honour, courage, competence, resilience.)

Sally Rooney's characters in "Beautiful World, Where Are You?" reflect on their ineffectual exposition of a fashionable, but sterile and impotent Marxism. They unwillingly experience the attraction of the granite, collective worldview of the eternal and universal Catholic Church: so often hijacked institutionally by bad people… so often bureaucratically underpinning reaction... but as John Dominic Crossan has so eloquently outlined, so revolutionary and omnipresent in its core doctrine.